That’s a lot of moving parts to cram into a brisk 88-minute runtime

 That’s a lot of moving parts to cram into a brisk 88-minute runtime. And predictably, the filmmakers have a hard time juggling between them. It’s clear that screenwriters Billy Frolick, Cal Brunker, and Bob Barlen wanted to spice up the typical “let’s stop the bad guy” narrative. But based on these results, all they did was make things worse. Nowhere is this more obvious than in how it treats the Chase subplot. Firstly, this storyline pushes the other PAW Patrol members into the background. As a result, the movie has no chance of being a fun ensemble piece that gives everyone equal treatment. Secondly, the dive into Chase’s struggle is mightily shallow. Brunker, who also directs, does nothing to convey the character’s fear other than to place generic pop songs into the soundtrack.

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